About Allyson Grey
Allyson Grey, a conceptual abstract painter and co-founder of CoSM, Chapel of Sacred Mirrors, has long been a mentor and influencer of the contemporary Visionary Art movement. In 1971, in a psychedelic awakening through the guidance of Ram Dass’ book Be Here Now, Allyson heard a voice calling her to express in her art an essentialized world view. Chaos, Order & Secret Writing came to artistically symbolize the three essential characteristics of human perception, a minimal yet all-encompassing artistic statement worthy of immersion for a lifetime. Allyson’s art is a personal and shared meditation on the structure of thought, life and enlightenment.
Secret Writing, the language of creative expression, is untranslatable and beyond concepts. The symbols were originally drawn by the artist in the early 70’s after an intentional LSD journey in which Secret Writing appeared to the artist as clear evidence of God contact. After much practice in automatic writing with infinite characters, the artist chose twenty letters comprising an alphabet with an order. The letter series is sometimes portrayed backwards or in “planned randomness.”
In great museums, we see illuminated manuscripts and framed pages in many languages we are unable to read. We still admire and wonder about the text: Might it be sacred, romantic or profane? Language is a magical code between consciousnesses.
Order symbolically portrays the vast vistas of fountain/drains that roil in the Bliss Field of highest consciousness.
Chaos represents Order plus Entropy, beautiful systems, falling apart in “planned randomness.” Chaos symbolically describes the material realm of existence.
Since 1975, I have shared a studio and been a partner to the internationally renowned artist, Alex Grey. We are the proud parents of the film actress and artist, Zena Grey.
In addition to being a committed painter and social sculptor, Allyson has edited the first draft of Alex's books, Co-Chief Editor of CoSM Journal of Visionary Culture, volumes 1-11 (now in progress), writer & editor of countless articles and interviews throughout the Grey’s partnership.
Allyson is sought after for her open feedback in her long-running blog, Ask Allyson about Art & Life, engaging in conversations relevant to the lives of artists and to all who may be looking for practical observations from a sacred wise woman. On panels and in solo interviews, Allyson represents her view as a spiritual/creative woman. Her favorite topics include: Art as Right Livelihood; Psychedelic Family Business; Everything CoSM; Conscious Conception & Parenting; Relationships; Art School or Not?; Life Transitions; Meditation, Yoga, Piano Practice in your 60’s, the Parsha, and more.
Allyson offers virtual one on one Art and Life consultations. Find out more by contacting support@cosm.org.
Allyson Grey
Artist
Co-Founder
CoSM Chapel of Sacred Mirrors
46 Deer Hill Road
Wappinger, NY 12590
Phone: (845) 297-2323
http://www.cosm.org
Biography
Allyson Grey is a painter and social sculptor. With an MFA from Tufts University, Grey has long been an art educator, arts organizer and muse to artists worldwide.
Since art school in 1975, Allyson has collaborated and shared a studio with the artist, Alex Grey. The Grey's co-founded the Chapel of Sacred Mirrors, (CoSM; cosm.org), a spiritual retreat center for artists outside of New York City. Together, Allyson and Alex have painted on stage in dozens of cities before thousands of dancing young people at festivals and arenas across five continents including Broadway theaters in New York City. As long-time advocates of "cognitive liberty," a growing international "sacramental culture" has embraced the Grey's as mapmakers and spokespersons for the visionary realm.
Secret Writing
An art school student at the Boston Museum School in 1971, I felt encouraged to take a landmark LSD journey with the intention of seeing “the white light.” I had recently read the groundbreaking book Be Here Now by Baba Ram Dass and decided to have the experience quietly in my small darkened bedroom rather than partying, hiking or thinking deeply with friends around a fire. My intention to allow the psychedelic state to reveal the “White Light,", lifted the veil of material reality. The faceless, genderless Almighty Force of the Universe was apparent, flowing through all beings and things. It was in that state of realization that my eyes were opened to SECRET WRITING. The mystic language flowed in ribbons, washing over all surfaces. Infinite characters expressed the "Nameless Presence” of higher consciousness sent from "Realms of the Unpronounceable.” Within that mind state came this realization -- that every thought becomes a thing through symbols. It is through symbols that our minds make sense of the world.
From that experience, SECRET WRITING entered as a private body of work that I did not share in art school. The artwork I created at that time distinguished itself as a unique series of labor intensive mixed media installations addressing the subject of “The Self,” works that portrayed personal angst and inquired into psychological states of mind. Soon after "knowing" Alex, who was familiar with my self-revelatory and self-depricating creations, I shared this cache and he recognized the significance of the SECRET WRITING embedded in my private stash. Alex’s original insight shifted my focus and a year later, my Tufts University Master of Fine Arts Thesis for and my Museum School Fifth Year Review Board both dominated in drawings, prints and body-art documentation devoted to SECRET WRITING. Psychedelics being an entirely taboo subject in 1976, my written thesis omitted any discussion of the true origins of SECRET WRITING.
Social Sculpture, coined by Joseph Beuys, the artist & co-founder of the German Green Party, used the term to describe art's potential to transform society.
The light of social sculpture shines at CoSM, in lovingly crafting personal and group experiences and by cultivating creative leadership for the “Great Uplifting.” Preparing and offering temple grounds as a gift to the global community of Visionary Artists is a work of Social Sculpture. Meditating a great plan into existence, a plan in which we live and work and learn together as spiritual friends in higher consciousness and offer a center promoting art as a spiritual path, a unique offering in nature, founded by a man and a woman as life-partners with their community -- this is an artwork of Social Sculpture.
CoSM: Social Sculpture
Visionary Language
In the Hebrew Bible, the Book of Daniel tells of Belshazzar, 6th-century B.C. prince of Babylon, who saw the writing on the wall. During a banquet for a thousand statesmen, Belshazzar ordered all the goblets of gold, stolen from the conquered and destroyed Temple in Jerusalem, to be brought out for his guest to admire and drink wine. At that moment, a hand appeared and began writing on a wall. Amazement and fear brought forth the palace astrologers, magicians and soothsayers, but none could interpret the writing on the wall. The queen remembered Daniel, an old Jew who was given the position of chief magician by Belshazzar father and predecessor, King Nebuchadnezzar. If Daniel could interpret the writing, Belshazzar would empower him as a ruling vizier. Daniel declined the king's offer of prestige and influence, but interpreted the writing:
Mene: God has numbered the days of your reign and brought it to an end.
Tekel: You have been weighed on the scales and found wanting.
Peres: Your kingdom is divided and given to the Medes and Persians.
Daniel warned Belshazzar that allowing his nobles and whores to drink from the precious goblets stolen from the Temple in Jerusalem and worshipping the gods of gold and silver would bring down his reign. In gratitude for his insight, the king decreed that Daniel, interpreter of the secret language, become the third highest ruler in the kingdom. That very night Belshazzar, king of the Babylonians, was slain.
A sacred God-contact experience occurred for Belshazzar and Daniel, the prophet interpreted the secret writing that came from a higher source.
-- excerpt from foreword by Allyson Grey
for Xenolinguistics: Psychedelics, Language, and the Evolution of Consciousness by Diana Slattery,
a comprehensive examination of the revelation and record of sacramentally inspired Secret Writing in artwork, reports and experimental inquiry.
Shows & Exhibitions
CURRENT SHOWS:
Elrow - Hallucinarium
Illusionaries - London, UK
Meow Wolf, Las Vegas
SOLO SHOWS:
O.K. Harris Gallery, New York, NY
Stux Gallery, New York, NY
Stux Gallery, Boston, MA
Emerson Gallery, Hamilton College, Clinton, NY
Merrimack College, Lawrence, MA
Cohen Art Center, Tufts University, Medford, MA
SELECTED GROUP EXHIBITIONS:
”The Beyond” Within Mesa, Arizona
“Tiny Visions,” Hive Gallery, Los Angeles, CA
"The Spiritual In Art", Islip Art Museum, Islip, NY
"Psychedelicatessen", Acme Art Gallery, San Francisco, CA
"Interfaith", New York Open Center Gallery, NYC, NY
"Threadlore", The New York Open Center, New York
"Cyberdelia", Synchro Energize, NYC, NY
"Altered States/50th Anniversary of LSD", Art Rock Gallery, San Francisco, CA
"Ritual Labor", Emerson Gallery, Hamilton College, Clinton, NY
"The Map is Not the Territory", Rosenwald-Wolf Gallery, Philadelphia, PA
"Nepotism II", Max Fish, New York, NY
"High Density Abstraction", Bard College, Annandale-On-Hudson, NY
"NYC at New Visions", New Visions Gallery, Ithaca, NY
"Perdurabo", Proctor Art Center, Bard College, Annandale-On-Hudson, NY
White Columns Gallery, New York, NY
"White Columns at Javits Center", New York, NY
San Francisco Arts Commission, San Francisco, CA
Stux Gallery, New York, NY
"Labor Intensive Abstraction", The Clocktower, New York, NY
"Brockton Triennial", Brockton Art Museum, Brockton, NY
Provincetown Art Association, Provincetown, MA
Springfield Museum of Fine Art, Springfield, MA
"New England Women Artists", Northeastern University Gallery, Boston, MA
Nesto Gallery, Milton, MA
Donnelly & Stux Gallery, Boston, MA
Helen Shlien Gallery, Boston, MA
Project, Inc., Cambridge, MA
Museum of Fine Arts, Boston, MA
Brockton Art Museum, Brockton, MA
PUBLIC COMISSIONS:
The First Bank of Lowell, Lowell, MA
Spaulding & Slye, 1040 Massachusetts Ave., Cambridge, MA
SELECTED COLLECTOR LIST:
Corporate;
IBM, Boston, MA
Biogen Corporation, Cambridge, MA
Home Life Insurance, New York, NY
New England Mutual Life, Burlington, MA
Medford Savings Bank, Medford, MA
Chevron Corporation, San Francisco, CA
Inn at the Colonade, Baltimore, MD
Private;
Mr. Ken Fried, Boston, MA
Mr. & Mrs. Henry Foster, Boston, MA
Mr. & Mrs. Richard Meyers, Chicago, IL
Mrs. Howard Wagonheim, Baltimore, MD
Ms. Catherine Wyler, Washington, D.C.
Joachim Neugroschel, New York, NY
Mr. & Mrs. Jean-Michel Wasterlain, Brooklyn, NY
SELECTED BIBLIOGRAPHY:
Grey, Alex and Grey, Allyson, "Life & Artistry", Tantra: The Magazine, Issue #3,
Hardy, Ellen, "Review of White Columns show", Arts Magazine,
Furstenberg, Marc, "Review of show at O.K. Harris Gallery, Downtown Magazine
McCormick, Carlo, "High Art - Allyson Grey", High Times Magazine
Schwabsky, Barry, "The Invisible Scene", New York/Berlin Magazine(NYB), Issue #2
Kologe, Brian, "Review of show at Merrimack College", Art New England
Roche, Eileen, "Kaleidoscopic Grey", Sojouner
Temin, Christine, "Review of show at Stux Gallery, The Boston Globe
Taylor, Robert, "New England Women Painters", The Boston Globe
Giuliano, Charles, "Gallery Go Round", The Boston Ledger
Baker, Kenneth, "Scouting for Talent", The Boston Phoenix
Wright, Sarah, "Artweek Visiting", The Real Paper